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L.L. Sosset. 'Les expositions. A voir dans les galeries de Bruxelles.'
JS. L'Erotisme généralisé. Generalised Eroticism. Een veralgemeend erotisme.
Collection Schwind
Luettich Galerie Yellow Now. Ihre Künstler im Studio.
Johan Van den Bossche, 'In Celbeton te Dendermonde. Schwind wil kunstmarkt én Fontana ontluisteren'
Hedwige Verschaeren. ‘Schwind 1970/1973’
Triënnale 3. Informatieve tentoonstelling van hedendaagse kunst in België.
Aspecten van de actuele kunst in België. Aspects de l'art actuel en Belgique.
Textes de Schwind. L’Oeuvre référentielle
plus moins zéro, no. 16, February 1977
Kunst in/als vraag : Negatie-integratie van Dada tot heden in België.
Letter to a conservator in mourning
K.J. Geirlandt. "L'Art en Belgique depuis 1945"
Anonymous. 'Jean Schwind'
Alain Delaunois, Jean-Pierre Verheggen. André Blavier, le don d'ubuquité.
Middle Gate Geel '13
Over Jean Schwind en de pastiche die kunst werd
Jean Schwind retrospective exposes art as swindle
SCHWIND FOUNDATION Jean Schwind retrospectieve in het S.M.A.K. (Gent)
Collect Arts Antiques Auctions, no. 447, Brussels, September 2014
Schwind Foundation
---===*===--- is based upon the Morphologies framework, an ongoing digital publishing project / work-in-progress (2005-) by Jan Mast
This particular itteration came to life in 2014 and provides a digital archival tool.

All content © Jean Schwind Estate and the authors under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License
Concept, code & design © Jan Mast under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
With the support of LICHTMACHINE agency & artgrid
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The Schwind Foundation is given new life in 2014 on the occasion of the Jean Schwind retrospective in the S.M.A.K. (Stedelijk Museum voor Actuele Kunst) in Ghent.

Jean Schwind (1935-1985), the first and only Belgian appropriation artist of note, in 1972 expanded his Collection Schwind to the status of a Foundation. In the Schwind Foundation he brought together his already realized as well as prospective appropriations in a way that was closely allied to conceptual art, and including a grand Plan. When, in 1976, Schwind took leave of art with a fictional death announcement, it also brought an end to the activities of the Foundation.

The new Schwind Foundation takes it upon itself the task of making the oeuvre of Jean Schwind accessible to the widest possible public. Not so simple a mission, when one considers that the artist had destroyed many of his works once they had served their initial purpose as disruptive interventions in the world of art. Nonetheless, the intention is to eventually assemble and make available a catalogue raisonné of this artist's works.

The Schwind Foundation is happy to lend its cooperation to exhibitions and publications that draw attention to the very particular role played by Jean Schwind in the art world of the 1970s.